Tag Archives: Philip Seymour Hoffman

Let’s Get a Few Things Off My Chest: Groundhog Day Edition

From time to time, I need to get a few things off my chest…this is the second installment of 2014.

• Last night’s Super Bowl, a 43-8 Seattle defensive annihilation of Denver’s historically good offense, was a bit of a surprise for all.  It wasn’t as much about what they did, but more so how they did it.  From the opening offensive play safety, to the Peyton Manning cold weather lob interceptions, to the second half opening kickoff return by Percy Harvin who managed to complete a game without injury for the first time this season, there was just a whole lot of weird (Russell Wilson’s consummate game management aside) going on.  Even “talk of the nation” and notable Stanford grad Richard Sherman was carted off the field in the early fourth quarter before he could have a fair shot at an Erin Andrews post-game interview reprise.  On the non-football end of things, the national anthem was delivered by an opera singer not exactly aligned with the pulse of the football viewing audience (Renée Fleming was stunning.  It just speaks to how different one of the world’s best classically trained singers is compared to your average pop star.  On the converse, it speaks to how good Whitney Houston is compared to other pop stars.).  The halftime show, featuring an admittedly exhilarating performance by Bruno Mars, managed to fit in a brief Red Hot Chili Peppers cameo that made no sense next to the retro Motown stylings of Mars.  The New Jersey winter weather, promoted as a major Super Bowl headline, was a non-factor during the game.  Again, there was just a whole lot of weird going on.  In many ways, I am glad that the New England Patriots sat this one out.

Pepsi Super Bowl XLVIII Halftime Show

• One Super Bowl moment lost in the shuffle of strange was a commercial for the new U2 song “Invisible.”  Released yesterday during the day as a free download for 24 hours, Bank of America, an at times challenging pillar of American big business, will donate $1 to (RED), Bono’s incredible organization attempting to put an end to the AIDS crisis in Africa, for every download.  “Invisible” is announced to be a track on U2’s long awaited (five years next month since their last studio album release, No Line on the Horizon) 2014 album (When? Who knows.  June, maybe?).  The song itself, although not cutting down any Joshua Tree’s as “The Fly” once did, is my favorite “first song from a U2 album” release since All That You Can’t Behind’s “Beautiful Day1” (sorry “Vertigo” and “Get on Your Boots”).  We can all hope that this will be a harbinger for the album to com

• I finally got around to see Frozen this weekend.  I usually try to be on the precipice of a pop culture phenomenon as the Disney animated feature and the “Let it Go” movement have become, but on this one I missed the reindeer ride.  Over two months after its original theatrical release, it was so well worth the wait.  A little late for its own post, here are a quick five things you need to know about Frozen:

1. The direction by Chris Buck and Jennifer Lee is outstanding and some of the best I have ever seen in an animated feature.

2. The songs by the Robert Lopez and Kristen Anderson-Lopez are classic and indelible melodies that will quickly find their way into your humming, whistling, and shower singing selves.

3. Kristen Bell has a gorgeous voice and plays Anna most beautifully.  Idina Menzel continues to be a vocal force.  In a career of musical hits, could “Let It Go” be her most beloved?

4. Olaf the snowman, performed brilliantly by Josh Gad, is the best comedic sidekick in a Disney animated feature since the Timon and Pumbaa tandem from The Lion King.

5. Frozen is a movie, that along with Tangled, would fit perfectly in the Disney animated feature renaissance row ofThe Little Mermaid, Beauty and the Beast, Aladdin, The Lion King, and the underrated Pochahontas.  It’s physical form will someday reside on my DVD shelf.

Bill, Amy, and Seth

• Saturday Night Live said goodbye to Seth Meyers this week as he prepares for his new gig at Late Night, beginning later in the month.  As is SNL tradition, some old family members came by to honor his departure.  Amy Poehler, as she often does, said it best when she described him as “the heart of this program for the past twelve years.”  He will be missed.

• Mostly a teaser for what is to come, the exes arrived on Real World: Ex-Plosion this week in the last segment of the episode.  I will share some of my thoughts after the next episode.

Philip Seymour Hoffman

• And finally, I am deeply saddened by the tragic death of Philip Seymour Hoffman.  One of my first posts on this site was a “Five Things You Need to Know” on The Master.  I described him as “America’s (qualifying the nationality of Daniel Day-Lewis) best living film actor.”  I stand by what I wrote at the time.  There was no one better.  My heart goes out to his family and friends, especially to his three young children.  What a momentous loss.

David J. Bloom can be reached on twitter @davidbloom7 and writes about MTV’s “The Challenge,” pop culture, and the NBA for Bishop and Company.


  1. It’s just a great song. 

My Year in Movies 2012 (Finally!)

Right before I saw The Muppets in November of 2011, I commented to my closest movie allies that starting with this Kermit and friends’ return to cinematic form from Disney, the next 12-14 months could be the best year (or a little over a year) of cinema that I have ever experienced.  After The Muppets, there was a new Mission Impossible opening in December of 2011 (Ghost Protocol ended up as my favorite movie of 2011), and then 2012 was to feature a new historical drama from Steven Spielberg starring the great Daniel Day-Lewis, a new Bond, two new Marvel movies, a new Bourne, lots of Joseph Gordon-Levitt, a prequel to Alien from Ridley Scott, a movie version of one of my all-time favorite musicals, a promising new Pixar outing, Peter Jackson’s return to Middle-Earth, and of course, the final installment in Christopher Nolan’s groundbreaking Batman series.  Now, on the eve (or for many, morning) of the Oscars and the unofficial culmination of the 2012 year in cinema, despite some unfortunate disappointments (Middle-Earth did not feel so good in 2012), 2012 was as close to movie heaven as I could ask for.

What follows are my rankings, my designations, my Oscar votes (if I had them) in the six major categories, and some new awards that I have cooked up for 2012, an epic year of cinema:

2012 motion pictures: Lincoln

2012 movies that could have been motion pictures: The Dark Knight Rises, Zero Dark ThirtyThe Master

The best acting performance of 2012: Daniel Day-Lewis in Lincoln

Marvel movie that is probably a little bit overrated: The Avengers

Marvel movie that is probably a little bit underrated: The Amazing Spider-Man

5 most memorable sequences/scenes: The opening of The Dark Knight Rises, Silva’s single shot first scene in Skyfall, the hood scene from Django Unchainedthe tsunami attack in The Impossible, Georges’ pigeon pursuit in Amour

Best footage to be used in an acting master class: The entire performance of Daniel Day-Lewis in Lincoln, Phillip Seymour Hoffman’s interview scene with Joaquin Phoenix in The Master

Most unexpected narrative turn of events: The use of bears in The Brave

Ranking the Joseph Gordon-Levitt performances: 1. John Blake in The Dark Knight Rises  2. Playing a young Bruce Willis in Looper  3. Bike messenger in Premium Rush  4. A forgettable Robert Lincoln in Lincoln

Best performance by an animal: Richard Parker in Life of Pi

Worst performance by an animal: The wolves in The Grey

The movies that made me think the most after viewing: The Master, Looper, Zero Dark Thirty, Django Unchained, The Dark Knight Rises

The movies that made me think the least after viewing: The Hobbit: An Unexpected Journey, Flight, Savages

The most emotional movie experiences: The Impossible, Lincoln

The least emotional movie experiences: The Grey, The Hobbit: An Unexpected Journey

I just don’t get why people liked it: The Hunger Games, The Grey, Deep Blue Sea, 21 Jump Street

I just don’t get why people don’t like it more: The Bourne Legacy, The Amazing Spider-Man, The Impossible

Movies that could have been longer: The Dark Knight Rises, Lincoln, The Impossible

Movies that should have been shorter: The Master, The Hobbit: An Unexpected Journey, Django Unchained

Performances that needed to be longer to make more sense: Gloria Reuben in Lincoln, Marion Cotillard in The Dark Knight Rises

Best use of television actors from favorite TV shows in movies: Kyle Chandler (Friday Night Lights) in Argo, Bryan Cranston (Breaking Bad) in Argo, Jared Harris (Mad Men) in Lincoln, Victor Garber (Alias) in ArgoBradley Cooper (Alias) in Silver Linings Playbook, Martin Freeman (Sherlock, The Office) in The Hobbit: An Unexpected Journey, Aidan Gillen (The Wire, Game of Thrones) in The Dark Knight Rises

Most distracting use of television actors from favorite TV shows in movies: Chris Pratt (Parks and Recreation) in Zero Dark Thirty, James Gandolfini (The Sopranos) in Zero Dark Thirty, Harold Perrineau (Lost) in Zero Dark Thirty

Movies that I saw because I like the actor, but the movie was not very good: Deep Blue Sea (Rachel Weisz), The Grey (Liam Neeson), Premium Rush (Joseph Gordon-Levitt)

Best use of Jeremy Renner: The Bourne Legacy

Worst use of Jeremy Renner: The Avengers

Nominees for the “welcome back to the cinema” award: Daniel Day-Lewis in Lincoln, after the challenge that was War Horse – Steven Spielberg, Batman, James Bond, a Pixar movie not featuring cars

Movies where death is a struggle to watch: The Impossible, Amour

Movies where death seems too easy to watch: Django Unchained, Skyfall

Accents that worked the best: Tom Hardy as Bane in The Dark Knight Rises, John Hawkes in The Sessions

Accents that struggled the most: Helen Hunt in The Sessions, Halle Berry in Cloud Atlas

Best adaptation of a book into a movie: Lincoln (Team of Rivals by Doris Kearns Goodwin)

Worst adaptation of a book into a movie: Cloud AtlasThe Hunger Games

Directors I am interested to see more from: Rian Johnson (Looper), Benh Zeitlin (Beasts of the Southern Wild)

Directors I have seen enough from: Tom Hooper (Les Miserables)

When AFI picks the best movies of the 21st Century, the likely nominees from 2012 are: Lincoln, Argo

Best use of a one word title: Brave, Argo, Amour

Worst use of a one word title: FlightSavages

The “I want to see that again” award: The Dark Knight Rises, Looper, Argo

The No Country For Old Men “I liked it, but I never want to see that movie again” award: The Impossible, Amour

The “a great movie to take a nap in” award: The Hobbit: An Unexpected Journey, The Grey

My biggest disappointment: The Hobbit: An Unexpected Journey

My most pleasant surprise: The Bourne Legacy, Django Unchained

Movies with the greatest number of moments that I had to turn away or close my eyes because it was so difficult to watch: Django Unchained, Amour, Prometheus

Movies with the greatest number of moments that I did turn away because I didn’t care and looking up IMDB facts on my phone was more interesting: Flight, The Grey, The Hobbit: An Unexpected Journey

After 2012, actors that I want to see more of: Jessica Chastain, Christoph Waltz, Quevenzhané Wallis, Daniel Day-Lewis

After 2012, actors I want to see less of: Halle Berry, Helen Hunt, Wes Bentley

The award for “highest quality funeral guest list”: Michael Caine, Morgan Freeman, Gary Oldman, and Joseph Gordon-Levitt in The Dark Knight Rises

Movie that would have been great on stage: Lincoln

Movie that should have remained on stage: Les Misérables

My 5 least favorite movies of 2012: Deep Blue Sea, Savages, The Grey, 21 Jump Street, The Hunger Games

My 5 favorite movies 2012: The Dark Knight Rises, Lincoln, Zero Dark Thirty, Argo, The Bourne Legacy

My favorite movie of 2012: The Dark Knight Rises

The best movie of 2012: Lincoln

 

Finally, if I had an Oscar vote, here are my selections in the six major categories (in order of voting):

BEST PICTURE:

Lincoln, Zero Dark Thirty, Argo, Django Unchained, Amour, Beasts of the Southern Wild, Silver Linings PlaybookLes Misérables, Life of Pi

BEST ACTOR:

Daniel Day-Lewis (Lincoln), Joaquin Phoenix (The Master), Bradley Cooper (Silver Linings Playbook), Hugh Jackman (Les Misérables), Denzel Washington (Flight)

BEST ACTRESS:

Jessica Chastain (Zero Dark Thirty), Naomi Watts (The Impossible), Emmanuelle Riva (Amour), Jennifer Lawrence (Silver Linings Playbook), Quvenzhané Wallis (Beasts of the Southern Wild)

BEST SUPPORTING ACTOR:

Philip Seymour Hoffman (The Master), Christoph Waltz (Django Unchained), Tommy Lee Jones (Lincoln), Robert De Niro (Silver Linings Playbook), Alan Arkin (Argo)

BEST SUPPORTING ACTRESS:

Anne Hathaway (Les Misérables), Amy Adams (The Master), Sally Field (Lincoln), Helen Hunt (The Sessions), Jacki Weaver (Silver Linings Playbook)

BEST DIRECTOR:

Steven Spielberg (Lincoln), Michael Haneke (Amour), Ang Lee (Life of Pi), Benh Zeitlin (Beasts of the Southern Wild), David O. Russell (Silver Linings Playbook)

ENJOY THE OSCARS!

David J. Bloom can be reached on twitter @davidbloom7 and writes about pop culture and the NBA for Bishop and Company.  For more in depth opinions on movies, check out the “5 Things You Need To Know” page.